
Efficiency – Mike Tyson
The third film in the Auerbach series is Efficiency, the only video in the series dedicated to an athlete, not an actor. The sports’ star in question is none other than Mike Tyson, whom Auerbach photographed in 2020 for Haute Living, a luxury bimonthly publication.
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Two great modern masculine archetypes of force and flow—the boxer and the jazzman—take pride of place in the American imaginary. Among the former, Tyson remains an undisputed titan: a heavyweight of heavyweights, with a life suitably bedecked in triumph, sacrifice and controversy. As with jazz, the Empyrean of boxing admits no easy heroes—nor does it want them. These are men the way gods dreamt them; men with terribilità.
Auerbach’s challenge here was in photographing someone who does not quite fit into a photograph. How does one translate the fullness of a lion at rest?
Tyson is designed for movement, although not in the same sense as Cumberbatch. A real locomotive power borne of utter physical prowess is burned into his stance. The man looking into the picture—not at the camera, but through it—is an unburnished statue, and though he is almost immobile, there is a seismic tension in his near-stillness, in his near-smile: that of someone who was once known as the most dangerous combatant to have stepped into the ring.
The paradoxical elements in the picture—the nondescript background, the angular edge of a car, the custom shirt made for him by the late Versace, stamped with Warhol prints beside a tattoo of Che Guevara—heighten the scene’s surreal, rarefied intensity. Though there is, as Auerbach observes, a gentleness to Tyson, it is tempered by a thoroughbred impatience that leaves the photographer with only one card up his sleeve: no time.
Auerbach has just a few shots to attempt a knockout—and he takes them.
Next in this series
Accursed Share is proud to present Captured Moment: The Master’s Process, the first NFT collection by photographer-to-the-stars Frederic Auerbach.
The first film in the series, Authenticity, features triple-threat Zendaya almost a decade prior to her atmospheric and career-defining turn in Denis Villeneuve’s Dune (2021).
The first film in the series, Authenticity, features triple-threat Zendaya almost a decade prior to her atmospheric turn in Denis Villeneuve’s Dune (2021).
The authenticity in the Zendaya series is not only found in the subject, with her signature admixture of freshness and sophistication. It is coded in the silent and complicit rapport between her and the photographer, and so it is also the object, and objective, of the pictures.
The second film in the Auerbach series is Adaptation, centered around one of the most prominent male stars of the 2000s, Benedict Cumberbatch.
These photos were taken for GQ UK in 2014, when Cumberbatch was in the heat of his fame, coming off Season 3 of the acclaimed BBC adaptation of Sherlock. He was in Boston, filming Scott Cooper’s Black Mass—the Whitey Bulger crime drama with Johnny Depp—so expectations were great, time was of the essence, and timing—as ever—eternal.
Timelessness, the fourth film in the Auerbach series, is a meditation on the bewitchment of timespace by Sharon Stone.
One should not think of Stone as just a sex symbol: every generation has its slew of vamps, most of which leave no dent in memory. Most of the smokeshows will age into air, but the femme fatale lingers.
Inspiration, the fifth and last film in the Auerbach series, recalls a demanding 2013 commercial photoshoot for Dior with Natalie Portman.
It was the busiest set-up in this series, with a correspondingly large team on the client’s and the model’s side. In this far from intimate and tightly managed setting, the assignment was to manifest spontaneity. Alas, the catch with inspiration is it can be practiced, but not faked.