
Adaptation:
Benedict Cumberbatch
The second film in the Auerbach series is Adaptation, centered around one of the most prominent male stars of the 2000s, Benedict Cumberbatch.
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These photos were taken for GQ UK in 2014, when Cumberbatch was in the heat of his fame, coming off Season 3 of the acclaimed BBC adaptation of Sherlock. He was in Boston, filming Scott Cooper’s Black Mass—the Whitey Bulger crime drama with Johnny Depp—so expectations were great, time was of the essence, and timing—as ever—eternal.
Cumberbatch arrived at the shoot unescorted and unattended, in an immaculately tailored suit, with only a scarf for a prop. Simplicity is his elegance, which is not to say he is in any way staid. Of the models featured in Accursed Share’s Auerbach series, he is the most animated, and his process photos show a man who finds great joy in movement and who likes to have fun with the camera. Auerbach, of course, reciprocates, and what is captured in this session is a sort of dance at a distance between both men, conducted with vim and kinetic good humour.
There is an insuppressibility to Cumberbatch that borders on uproariousness but never steps on toes. His uncanny physical self-mastery, best appreciated in his work for theatre—think of his alternating roles as Victor and the Creature in Danny Boyle’s 2011 Frankenstein—is fully manifest in this outstanding shoot.
Auerbach grasps the corybant in Cumberbatch in a photo session that is reminiscent of Robert Longo’s Men in the Cities, had that series been not about urban alienation, but premised on sheer, dramatic exultance.
Posts in this series
Accursed Share is proud to present Captured Moment: The Master’s Process, the first NFT collection by photographer-to-the-stars Frederic Auerbach.
The first film in the series, Authenticity, features triple-threat Zendaya almost a decade prior to her atmospheric and career-defining turn in Denis Villeneuve’s Dune (2021).
The first film in the series, Authenticity, features triple-threat Zendaya almost a decade prior to her atmospheric turn in Denis Villeneuve’s Dune (2021).
The authenticity in the Zendaya series is not only found in the subject, with her signature admixture of freshness and sophistication. It is coded in the silent and complicit rapport between her and the photographer, and so it is also the object, and objective, of the pictures.
The third film in the Auerbach series is Efficiency, the only video in the series dedicated to an athlete, not an actor. The sports’ star in question is none other than Mike Tyson, whom Auerbach photographed in 2020 for Haute Living, a luxury bimonthly publication.
Two great modern masculine archetypes of force and flow—the boxer and the jazzman—take pride of place in the American imaginary. Among the former, Tyson remains an undisputed titan: a heavyweight of heavyweights, with a life suitably bedecked in triumph, sacrifice and controversy. As with jazz, the Empyrean of boxing admits no easy heroes—nor does it want them. These are men the way gods dreamt them; men with terribilità.
Timelessness, the fourth film in the Auerbach series, is a meditation on the bewitchment of timespace by Sharon Stone.
One should not think of Stone as just a sex symbol: every generation has its slew of vamps, most of which leave no dent in memory. Most of the smokeshows will age into air, but the femme fatale lingers.
Inspiration, the fifth and last film in the Auerbach series, recalls a demanding 2013 commercial photoshoot for Dior with Natalie Portman.
It was the busiest set-up in this series, with a correspondingly large team on the client’s and the model’s side. In this far from intimate and tightly managed setting, the assignment was to manifest spontaneity. Alas, the catch with inspiration is it can be practiced, but not faked.